bibliography

2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1997 | 1996

2009

  • Pagel, David. COLA 2009 an accessible brew in Barnsdall Park," LA Times, June 2. (pdf)
  • Harvey, Doug. "Last Round: At the Brewery Project: The Finale," LA Weekly, January 14. (pdf)

2008

  • McQuaid, Cate. "Breaking down the beauty of Styrofoam," The Boston Globe, March 28, p. D6 (pdf)
  • Van Siclen, Bill. "A Look a Styrofoam and Industrial Design," The Providence Journal, April 3, p. E8 (pdf)
  • Mendelsohn, Meredith, "Foam Improvement," Art News, p. 48, March 2008
  • Aushenker, Michael. "Art Exhibit 'Acts' Out First Amendment Issues," Palisades Post, January 31, 2008 (pdf)
  • Leon, Lea. "With Patriot Acts, Artists Show the Law is Really Open to Interpretation", Los Angeles Times, January 24, 2008 (pdf)

2007

  • Beischer, Tom and Lee, Marion. Chapter 12: "Plasti(City) of Material and Meaning: Shirley Tse's Forms of Identity." Global Babel: Questions of Discourse and Communication in a time of Globalization, ed. by Samir Dayal and Margueritte Murphy, Cambridge Scholars Publishing pp. 298-313 (pdf)
    • Collins, Judith, Sculpture Today, Phaidon, p. 433
    • Myers, Holly, “Social Issues Leave Imprint in ‘Touched’”, Los Angeles Times, August 22, E6
    • Harvey, Doug, “Hey Ladies: The Girls Go Wild West at Bergamot”, LA Weekly, May 2, 2007, p. 56
    • Velasco, David. “Shirley Tse – Murray Guy”, Artforum, April 2007, pp.275-276 (pdf)
    • Dambrot, Shana Nys, “Shirley Tse: ‘Sink Like A Submarine’ at Shoshana Wayne Gallery, Art Ltd, July 2007, p.18
    • Mizota, Sharon. “Shirley Tse, Shoshana Wayne Gallery”, Picks, Artforum.com, June 2007 (jpeg)
    • 2006

    • ______, Continuing and Recommended Exhibition: Shirley Tse, www.artscenecal.com (pdf)
    • 2005

      • Marsh, Margaret and Michelle Watts and Craig Malyon, ART 2:Practice (Victoria: Oxford University Press) 2005. p.131
      • Godfrey, Mark, “Image Structures”, ArtForum, February, p.147-153
      • _____, “L.A.”, The New Yorker, May 2-May 9
      • Bollen, Christopher, New York Critics’ Picks, “LA”, Artforum.com, May, 17 Inselmann Andrea, ‘Material Matters’, Herbert F. Johnson Museum of Art, Cornell University
      • Godfrey, Mark. “Image Structures”, Artforum, February 2005, pp.146-153

      2004

      • The New Yorker, December 6, 2004, p.
      • Friedrich, Kristin, “White Noise at Redcat”, Los Angeles Downtown News, October 14
      • Myers, Holly, Disposable Society, Los Angeles Times, October 13
      • Beischer, Thomas and Lee, Marion, Martianmallow-Food for the Inner Alien, Gastronomica, Spring 2004, p.9-10.
      • Isé, Claudine, Particle Theory, exhibition brochure, Wexner Center for the Arts, Columbus, OH
      • Miles, Christopher. “Power Towers: Transmission and Trace”, Power Towers, exhibition catalogue, Pomona College Museum of Art, Claremont, CA

      2003

      • Beischer, Thomas and Marion Lee, “Exploring the Para-Site: Shirley Tse’s Plasticity of Material and Meaning”, Thresholds 27, Exploration, Massachusetts Institute of Technology, Cambridge, MA, pp. 32-37
      • Charlesworth, J.J. “Coastal Melancholy’, Modern Painters, Summer 2003, pp. 36-38
      • Gray, Emma and Lafuente, Pablo, “You Haven’t Taught Until You See the Lightbulb in their Eyes Light Up”,ArtReview July/August, p.40-50. (pdf)
      • Zeiger, Mimi. ‘The Stuff that Surrounds You’, Arthur, March, pp.6 & 8
      • Chu, Ingrid. ‘Out of site: Fictional Architectural Spaces’, Para-Para, in Parachute 109, January –March pp.5-6
      • Knight Christopher. ‘On the Underbelly of the Zeitgeist’, Los Angeles Times, February 21
      • Spalding, David, “Shirley Tse at the CCAC Wattis Institute”, Flash Art, January-February, Vol.XXXVI, No.228, p.51
      • Helfand, Glen, ‘One Size Fits All?’ Guardian, San Francisco, Jan. 8. pp. 45-46

      2002

      • Critic’s choice, “ ‘Shelf Life’ and ‘In the Making’,” San Francisco Bay Guardian, December 2002, p.80
      • Aragào, Thais. ‘De Cabeca Para Baixo,’ Opovo, Fortaleza, Brazil, December 13
      • liva, Fernando, ‘Mapa Invertido,’ Bravo, Sao Paulo, Brazil, December, p. 29.
      • Chen, Elsa Hsiang-Chun. “Identity politics? Allegorical existence? On the way to the fantastic”, Yishu Journal of Contemporary Chinese Art, Summer, pp. 93-94
      • Westbrook, Lindsey. ‘Shelf Life’ and ‘In the Making’, Guardian, San Francisco, December 4, p. 80
      • Williams, Gregory. ‘Out of Site’, Artforum.com, posted July
      • Cotter, Holland. ‘Architectural Visions Keep Dreamers Awake’, The New York Times, 12 July
      • Halle, Howard. ‘Building the Future’, Time Out New York, 11-18 July, issue no.354, p.46
      • Cover Image, Log Illustrated, the X Issue, Summer, Christchurch, New Zealand
      • Barragan, Paco. ‘The Art to Come’, book, Madrid, Spain: Subasta Siglo XXI, pp. 288-89
      • Richard, Frances. Artforum, Summer, pp. 177-178
      • Burton, Johanna. ‘Polytocous’, Time Out New York, 18-25 April, p.62
      • Williams, Gregory, ‘New York-Critics Picks: Shirley Tse,’ Artforum.com,, April,
      • Hsieh, David. World Journal, New York, April
      • Morgan, Jessica, “Imaginary Architects,” exhibition catalogue, Artists Imagine * 2002 Architecture, Institute of Contemporary Art, Boston, p. 39
      • Ellegood, Anne, ‘Out of Site: Fictional Architectural Spaces,’ exhibition catalogue, Out of Site: Fictional Architectural Spaces, New Museum of Contemporary Art, New York, pp.30-33
      • Bradley, Jessica, ‘Provisional Worlds,’ exhibition catalogue, Provisional Worlds, Art Gallery of Ontario, Toronto, Canada, p.18
      • Holubizky, Ihor, ‘The Other Side of the Clock: The 2002 Biennale of Sydney,’ C International Contemporary Art, Toronto, Canada, pp. 20-23
      • Cattelan, Maurizio, et al. eds. Charley 01, New York: Distributed Art Publishers, p. 71
      • Barilli, Renato, ‘Art Drifts’, exhibition catalogue, Officina America, Galleria d’Arte Moderna di Bologna, Italy: Mazzotta, p. 40

      2001

      • Gagnon, Adrienne, ‘Shirley Tse’, exhibition catalogue, 01.01.01: Art in Technological Times, SFMOMA, San Francisco, CA, pp. 136-37
      • Spalding, David. ‘A conversation with artists in ‘010101: Art in Technological Times’ Interview, Artweek, May, vol. 32, issue 5, pp.13-14
      • Rugoff, Ralph, ‘Virtual Corridors of Power: Ralph Rugoff approaches the cutting edge of digital technology in a timely exhibition at the San Francisco Museum of Modern Art’,The Financial Times, March 31
      • Williams, Gregory. Frieze, January-February, issue 56,pp.106-107
      • Rugoff, Ralph. "FirstTake", Artforum, Janaury, vol. XXXIX, no.5, p.123 (pdf)
      • Panzera, Lisa. 'Shirley Tse at Murray Guy', Art in America, January, vo.89, no.1, p.119
      • Stojnic, Niki, ‘Bits of Art’, Alaska Airlines, January

      2000

      • Herron, Theresa. 'Shirley Tse: Creatrix of Plasticity', newbeats.com, December
      • Harvey, Doug. 'Ten Shows That Rocked My World', LA Weekly, December 29-January 4
      • Levin, Kim. 'Voice Choices', The Village Voice, Vol. XLV No.40, October 10
      • Johnson, Ken. 'Shirley Tse - Murray Guy', The New York Times, September 29, p.E32
      • Carter, Jeff, 'St. Louis - Shirley Tse', Flash Art International, Summer, p.49
      • O’Brien, Draza Fratto. 'Shirley Tse and Tran T. Kim-Trang at Shoshona Wayne Gallery', Artweek, June pp.21-22
      • Maxwell, Douglas, 'Art Chicago 2000', Onview.com, May 24
      • Decepida, Joseph. ‘From Buddha To Bubble Wrap’, The University News, St. Louis, April 13, p.13
      • Harvey, Doug. ‘Tim Hawkinson, Charles LaBelle, John Divola, Tim Ebner, Shirley Tse, more’, LA Weeklly, April 7, pp.39-40
      • Duncan, Michael. ‘L.A. Confidential’, Artnet, April
      • Kandel, Susan. ‘Shirley Tse: Plastic Aphasia, artext, no.68, February.-April, pp.44-45
      • Mahoney, Robert. ‘Millennium at Tate Gallery’, Time Out NY, 29 July-5 August, p.52

      1999

      • Grabner, Michelle. ‘Stuff’, Frieze, September, pp. 106-107
      • Mutscheller, C. ‘More Stuff’, The Lumpen Times, May, pp.44-45
      • Mahoney, Robert, “Millennium (TATE),” Time Out New York, July 29 - Aug. 5,
      • Stuff (exhibition catalogue), essays by Jeanne Dunning and James Yood, Chicago: The Contemporary Arts Council/TBA Exhibition Space, Chicago
      • Harvey, Doug. ‘Futurama’, L.A. Weekly, 9-15 April, p.45

      1998

      • Wilson, William. ‘Food Preserved with a Twist in the Polka Dot Kitchen’, Los Angeles Times, October 20, p.F5
      • Linton, Meg. ‘Polysemy ™ at Shoshana Wayne Gallery’, Artweek, December, p.20

      1997

      • Hultkrans, Andrew. ‘Gadget Love - Andrew Hultkrans on Three Days in the Desert’, Artforum, January, p.21
      • Dewey, Fred. ‘The Chance Roll Abolishes the Dice’, Coagula, January, p.48
      • Kandel, Susan. “Art Reviews’, Los Angeles Times, 7 February, p.F18
      • Hainley, Bruce. ‘Bastards of Modernity’, Artforum, March, p.99
      • DiMichelle, David. ‘Bastards of Modernity at Angles Gallery’, Artweek, April, p.23
      • Tumlir, Jan. ‘The 1997 LACE Annuale’, L.A. Weekly, 10-16 October
      • Howell, George. ‘A Box’, Art Papers, November-December, p.46

      1996

      • Auerbach, Lisa Anne. ‘The Land of the Bland’, Los Angeles Reader, 21 June, p.28
      • Swed, Mark. ‘Hundreds by Design, Weigh Role of Chance, Los Angeles Times, 11 November